March 20, 2025
I just finished the final book in Tana French's body of work (so far) and I don't think I've ever so voraciously enjoyed a bunch of novels before.
If you haven't read (or heard of) Tana French, she writes murder mysteries set in Ireland. At times they even flirt with horror. The mysteries are compelling, but her character writing is even better. She writes in the first person and is particularly skilled at writing an unreliable narrator. The book I saved for last, the Witch Elm, did this in a way I will be thinking about for a while. It was a takedown of white, male privilege that unfolds in a slow burn throughout the book. It had me questioning my own life at times in some real introspective ways.
The book confronts you with questions of whether or not you can trust your own memory on how certain events played out, especially when it comes to assumptions of how those events may have affected other people. My own adolescence is somewhat wrapped up in a haze of generalizations and a certain degree of distance or detachment. Like the narrator, at times a lot of my memories feel unmemorable. This book challenges the assumption that others, particularly people less inoculated by privilege, experienced things the same way.